Posts Tagged ‘licensing’

Department of Brandular Deception – what is a Samsonite anyway?

Monday, January 25th, 2010

The old backpack briefcase had a hole in it, and it wasn’t healthy to carry 15 pounds of stuff on my shoulders anymore, so I searched online and found a great deal on a Samsonite rolling briefcase. It arrived late last week.

My wife said, “Does that have the Samsonite lifetime warranty? Sometimes when you get something that’s discontinued, they don’t have the lifetime warranty. You should check.”

Fast forward to today. I was moving my stuff from the old briefcase to the new one, and saw a card from Samsonite. “Thank you for purchasing a fine Samsonite product… our Samsonite product is backed with a Three-Year Limited Warranty…. While our products are handcrafted using the finest materials available, our warranty is not unconditional.” And then there were lots of exclusions and exceptions.

At the bottom of the card, it said the following: “Heritage Travelware, Ltd., 430 Kimberly Drive, Carol Stream, IL 60188-1804 USA under license from Samsonite Corporation.”

Scanned ImageThis explained a lot. There wasn’t going to be an unlimited warranty, because this bag, no matter what the label said, was not Samsonite. It was Heritage Travelware – whoever they are.

Behind this simple label is a well-worn yet risky strategy. After more than 90 years manufacturing its own luggage, Samsonite has decided to trade on that name by licensing it out to other manufacturers. Designers have been doing this for decades (sometimes, much to their chagrin), but for Samsonite it’s particularly risky. I didn’t really think Geoffrey Beene designed that Dopp kit I bought years ago at Marshall’s, but I wasn’t buying a Samsonite toothbrush here, I was buying luggage. I thought – I really thought – that Samsonite, the purveyor of the lifetime warranty my wife valued so much, made that case I bought.

But they didn’t. And the licensor offered its own Three-Year Limited Warranty in place of the lifetime one. Brands take decades to create, but can fall apart in a flash. The easy money offered by licensing can come at a price – the erosion of goodwill and trust that has been built up over the years. Let’s hope my new bag lasts long enough for me to forget it’s a “Heritage.”

[Below is what luggage companies used to promise, before Three-Year Limited Warranties.]

Still thinking about the music business

Tuesday, December 30th, 2008

2008 was the year that I finally realized what was happening to the music business. Whether it was talking to Fran Ten about how his emerging band West Indian Girl was trying to succeed in spite of the business climate, or asking why it was necessary that e-content be free (the most-read post of the year–thanks David Pogue), or reading the comments to that post, many of which said, in effect, “Why the hell should we pay for music?”

I like music a lot, and I’d like to see people who make great music be able to make a living at it. I’m trying to think of a model that may work. Two articles caught my eye this weekend on that point.

One is the WSJ article on New Year’s Resolutions (never did I think I would mine that for TWO blog posts)–specifically Duncan Sheik’s resolution (”To create a recording studio/rehearsal space close to New York City, where my coterie of musician friends and collaborators can work on their projects irrespective of financial considerations”).

The other was Jon Pareles’ lament in the New York Times on the influence of music licensing for commercials.

I’m working through some ideas that I’ll write about next week. Please pass on any thoughts you have, especially if you don’t feel you should pay for recorded music. Where does the musician’s income come from in that case?